The story
For this instrument I sampled our Yamaha C108, which is now over 30 years old.
It’s in our living room and is played by all family members every day.
Unfortunately, due to the pandemic, it hasn’t seen a piano tuner for a long time.
The C7 key has also been broken for years – miraculously it works again in its virtual existence.
My wife bought it as a new piano when she was still a pupil. She has saved five D-Marks every month since first grade for several years.
At some point, her grandmother and her parents said that she could be proud of having saved so much and that they would give the rest.
RECORDING DETAILS
For the recording I was lucky to borrow rare and outstanding equipment:
For the player position (stereo) I used two Neumann TLM 170i (cardioid).
This mic position is supplemented (in mono) by an original Neumann M49 (tube, 1950s).
A Neumann USM 69 was used as a Blumlein pair for the room signal.
And finally a Neumann U269C (tube, 1960s) was placed directly in front of the soundboard next to the pedals.
Noise was removed from all recordings (where needed), but no EQ adjustments were made.
POSTPRODUCTION UPRIGHT 4-MIC EXPERIMENTAL
For this bonus Instrument I used the monoliths of the original recordings and transformed them into something new.
Each mic received a treatment with an individual set of effects.
It’s fun to play around with different mixes of this 4 signals.
To save spaceI, I only created a Kontakt version with compressed samples.
CREDITS
I recorded all signals using Christian Henson’s monolith system. Thank you Christian for Pianobook!
Without Stephen Tallamy I would not have been able to finish the instrument in this form!
Thank you for your endless patience with all my questions and ideas, Stephen!
Many thanks also to Hanjo Gäbler for his encouraging and very helpful feedback.
FORMAT
Kontakt 6 (full version) (pre-assigned to CC 14 – 21 for the knobs on a Komplete Kontrol keyboard)
Decent Sampler (1.0.4 or above for multi-mic support, and four separate instruments, one for each mic) (https://www.decentsamples.com/product/decent-sampler-plugin/)
SFZ (experimental support)
Thomas Schimmack (December 2020 – May 2021)
Pianobook | June Highlight
Interface
Reviews for Upright 4-Mic Experiment
- Sound
- Character
- Playability
- Inspiration
- GUI
Leave a review to let others know what you thought of the instrument!
made a reason instrument with polophone
this is a great piano made a sf2 version for reason 11
dunno how it is compared to the main version but i like itused the free polophone but not sure if my version is good enough author do you think you could make a version that works in nnxt ? or ill just keep my version either way a lovely piano thanks
An Absolutely Incredible Piano
I think so far in my 4-5 years of producing this has to be one of my favorite piano plugins I have ever used. Being able to mix all 4 mics gives you so much control over the piano and each mic still even sounds good on its own. I have had no issues using this plugin and I'm excited to use it more in the future. The unique sound of this piano immediately gave me so many different ideas and It's been a blast!! Keep up the great work! :D
Just Upright! Stunning sound!
A beautiful piano in the tool kit alongside the many good libraries on the market. However, this is special. A soul of its own, a homely sound that is reminiscent of home. For me as a film musician, an indispensable spirit that cannot be found in mainstream samples. Thank you Thomas for the traditional sound of a great instrument.
Perfectly detuned
I've always loved the sound of slightly out-of-tune piano, so it's probably no surprise I liked this sample pack as well. The quality is great, the piano feels responsive, and I like the tonal possibilites of the four mics. The experimental version is well... experimental, in the best possible way, though I would liked to have seen a filter. Nothing one can't add externally though! Fantastic, suits my tastes very well.
A very balanced piano sound
This is a very well made piano patch with a lot of settings to configure in order to find the right sound for you. All four mics sound very nice to me, and each one has to offer a much different sound. I found that the "Player" and "Board" ones have the least amount of noise, and the Vintage has the most, as expected. Some samples in the higher registers might add more noise in general, but it's definitely not a dealbreaker at all.
You will find 2 Reverb knobs - plate and room, one to reduce pedal noises and one that handles the release triggers, though they are very subtle featuring just notes, not the hammer sounds that most other instruments feature.
In general it's a very nice patch and I recommend it for sure.
